Archaeological Site of Mystras

Mystras, the ‘wonder of the Morea’, was built as an amphitheatre around the fortress erected in 1249 by the prince of Achaia, William of Villehardouin. Reconquered by the Byzantines, then occupied by the Turks and the Venetians, the city was abandoned in 1832, leaving only the breathtaking medieval ruins, standing in a beautiful landscape.Mystras, the ‘wonder of the Morea’, lies in the southeast of the Peloponnese. The town developed down the hillside from the fortress built in 1249 by the prince of Achaia, William II of Villehardouin, at the top of a 620 m high hill overlooking Sparta. The Franks surrendered the castle to the Byzantines in 1262, it was the centre of Byzantine power in southern Greece, first as the base of the military governor and from 1348 as the seat of the Despotate of Morea. Captured by the Turks in 1460, it was occupied thereafter by them and the Venetians. After 1834 the inhabitants of Mystras gradually started to move to the modern town of Sparta leaving only the breath-taking medieval ruins, standing in a beautiful landscape.

Mystras, as the centre of Byzantine power, quickly attracted inhabitants and institutions; the bishopric was transferred there from Sparta, with its cathedral, the Metropolis or church of Hagios Demetrios, built after 1264. Many monasteries were founded there, including those of the Brontochion and the monastery of Christos Zoodotes (Christ the Giver of Life). Under the Despots, Mystras reached its zenith with the building of churches, outstanding examples of Late Byzantine church architecture, such as Hagioi Theodoroi (1290-1295), the Hodegetria (c. 1310), the Hagia Sophia (1350-1365), the Peribleptos (3rd quarter of the 14th century), the Evangelistria (late 14th – early 15th century) and the Pantanassa (c. 1430). The city was a major piece on the political chessboard of the time and was developed and beautified as befitted its role as a centre of power and culture. The city’s complex history is clearly evident in its fortifications, palaces, churches, convents, houses, streets and public squares.

Mystras’ distinct architecture is influenced by the so-called “Helladic” school of Byzantine architecture as well as the architecture of Constantinople. The painting of churches reflects the quality and the eclecticism of the art of Constantinople. Elements of Romanesque and Gothic art are also present as a result of the city’s wide range of contacts during the 14th and 15th centuries. The beauty of its churches, which during the Palaeologan Renaissance were covered with magnificent frescoes, the renown of its libraries and the glory of its writers, including the philosopher Georgios Gemistos Plethon and his pupil, the intellectual Bessarion, later cardinal of the Roman Catholic church, who brought neo-platonic humanism to Italy, gave substance thereafter to the legend of the Wonder of the Morea. Mystras is therefore a truly outstanding example of late Byzantine culture which influenced the rest of the Mediterranean world and beyond.